RESEARCH

Self-publishing is the publication of media by its author without the involvement of an established publisher

UNWRAPPING 'SEX'

ICA panel discussing Madonna’s book of erotic photography, and prose ‘Sex’ 1993.

https://sounds.bl.uk/Arts-literature-and-performance/ICA-talks/024M-C0095X1005XX-0100V0

My notes from the debate/talk:

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Iconography:

Image result for madonna sex" 

Image result for madonna sex"

 

 

rolling stones article on Madonna's 'sex' book and erotica

Sex is varied in style and content. The authenticity of her playmates accentuates the fastidiousness of her makeup and the newness of her fetish-wear, which makes Madonna look like a tourist. There’s little less sexy than that

Penned by Madonna, the text also varies in tone. Sometimes she’s acting out scenarios likely avoided in real life. Elsewhere she’s clearly speaking her own mind, yet with the disclaimer, “Nothing in this book is true,”which, to follow her logic, might be a lie.So when she wrote, “The women who are doing [porn] want to do it: No one is holding a gun to their head,” critics lambasted the musician.Given that Madonna posed nude in 1978 when she was broke and couldn’t stop Penthouse and Playboy from publishing the results in 1985, this statement comes across as atypically naïve.”

Because Sex and Erotica launched Maverick and her renegotiated$60 million contract with Time Warner,speculation over the Material Girl’searnings framed nearly every critical analysis. But Madonna’s moxiehas never been just about profit and fame.

“I think the problem is that everybody’s so uptight about [sex]that they make it into something bad when it isn’t, and if people could talk about it freely, we would have people practicing more safe sex,” she told Vanity Fair at the time. “We wouldn’t have people sexually abusing each other, because they wouldn’t be so uptight to say what theyreally want, what they really feel.” Maybe that’s a little simplistic, but it’s genuinely humanitarian. At a time when the straight media essentially characterized all sex as dangerous,Madonna tried to illustrate that it could be safe and stimulating, particularly if we open our minds, free our bodies, and try something besides standard intercourse.  

 Actress Isabella Rossellini – who appears in a man’s suit caressing Madonna and her female friends with an emotional intimacy missing from those celebrity shots  nailed the book’s major limitationwhen she told The Huffington Postin 2014, “Madonna was almost too beautiful, too perfect … to have that vulnerability or the sense of shock that a regular, more normal, not-so-professional fitted body could convey.”No matter how many personas the icon tries on like a pop-art Cindy Sherman, Madonna is Madonna when she takes off her clothes – maybe even more so.

 ---Rolling stones https://www.rollingstone.com/music/music-news/madonnas-erotica-sex-why-musical-masterpiece-defiant-book-still-matter-200685/

definitions of PURITY AND PERVERSION

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16/01/2020

book binding research

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symbols of purity

 Lily - A Symbol Of Innocence And Purity lily - symbol of purity and innocence.

Image result for white rose puritysymbol of purity/ chastity

Water Drop - Royalty-free Water Stock Photo water = purity 

Image result for cloud clouds  - fantasy 

 

BARNEY BUBBLES

Image result for BARNEY BUBBLES

“Barney Bubbles is the missing link between pop and culture” Peter Saville

interior style Inspo

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CONTEXTUAL PRACTICE + OUTCOMES

My personal response to my chosen track: ICA panel discussing Madonna’s book of erotic photography, and prose ‘Sex’ 1993.

pure or perverse? – Madonna is trying to be both which doesn’t work. It is therefore not real. The idea of Madonnas ‘sex’ exploiting her body and fantasies is in a sense a propaganda of perversion (Madonna’s ‘perversion’ case rejected in Russia Anti-gay sentiments =strong, - Russia felt Madonna would increase Russia Birth Rate-inappropriate).

Ideas of appropriation or exploitation concept of ‘tourism’ also said in rolling stones article “fastidiousness of her makeup and the newness of her fetish-wear, which makes Madonna look like a tourist. There’s little less sexy than that.” This is where art becomes advertising with these images of sex and ‘raunchiness’. Where are the values in showing real enjoyment and questioning how it is possible to feel real pleasure? It is near impossible to understand the real. Pop culture representations of desire are scrutinized by the masquerade which she is able to present with money and staged photographs- those showing a thin line between ‘erotica’ and pornography in the late 20thcentury. The compositions, although seemingly highly finished show hallucinations of reality – no dirty story, it is polished which is the ‘problem’ as stated throughout the debate.

Other questions involve Madonna’s intentions. Is Madonna addressing female pleasure or male? Answers spoke of the topic of fantasies which are only told in one’s imagination, you can never perfect a fantasy in an image as we all tweak them differently to our personal standards. Madonna also speaks of herself as a “boy toy” and how she only ‘gets off’ on knowing men get off on her. She is then found to be almost sexually selfish. Although Madonna states, “[she is] an exhibitionist and [she] enjoys that”, “I do what you want to see” … I think this furthers the idea of dimensions of the ‘real’ and the almost nakedness of her ambition when knowing she is on a 60 million contract with warner bros. Is it in fact sexual liberation or is it a stage face she must uphold?

Sexually selfish – it is not about the viewer, it is her fantasies, her body and she is in control. She wants people to identify with her, she is narrating an art of erotism, yet after a repression the mass audience is desperately thirsty for authenticity not a team of people staging something which is meant to be spontaneous and raw. Madonna’s publicity power is shown in the images. The extent to which she wants to be objectified interestingly only results in her own authority with her body and her book. Madonna does have the ability to fill the gap. Even when she disclaims “nothing in this book is true”. The question of what is real is in in the air, wafting around, being questioned once and for all.

 -content 

Identify my target of communication – the confusion around the what is real on an audience.  The imagery/photography of eroticism, fantasy and sex and contradictory factors with staging, personal satisfaction, power and perversion

visual interpretation– red, black – sensual/ or plain / subtle with the content being more intense

Choose medium: photo/drawing print etc – mix of photography, loose ink sketches – nothing obvious, but subtle illustations of ‘erotic’ features. –

Series of quotes from Madonna, and response quotes.

Identify suitable material –has to have paper 

PURITY VS PERVERSION 

15/01/2019 CONTEXTUAL PRACTICE

 Type and Image.

Clare Skeats – book desinger and art directorhttp://www.clareskeats.co.uk

- (Abram games – influenced her)

Barney bubbles – graphic designer

Analysis – how do contemporary book covers work? WITH USE OF Semiotics – signs to communicate meaning / sign as something that transmits a message – Screenshot 2020-01-15 at 11.40.49.pngImages without the face- questioning, intriguing, looking everywhere else, questioning clothing etc.

Opposites – two things completely different

Quiet covers – understated.

Illustrators I liked from presentation - Screenshot 2020-01-15 at 11.42.02.png

  1. What messages are you getting from the imagery (if present)?

  2. What messages are you getting from the type/lettering?

  3. Are the messages from the type and the imagery similar, or is there a

    difference? If so, why do you think the designer has made that decision?

Genre – a style or category of literature eg. thriller, Sci-fi etc.
Tone – Whether it is serious, light-hearted, emotive, poetic, angry etc. This can be

defined through the text content as well as the visual aspects of the cover.Narrative or subject – what is being suggested about the book’s contents, and

how literally or subtly is the message conveyed? See also Context.Relationship – the relationship between the type and image; discuss scale,

styling, hierarchy, contrast.
Composition – E.g. is it dynamic, minimal, symmetrical, informal etc.?Audience – who the publisher is trying to reach with this designContext – Location, time period 

16/01/2020

BOOK BINDING - 

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MAKING MY MOCK UP (add photo finish) 

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???? Thought of making a fabric case to complete a interesting look- further on idea of struggle to get to the book ..?

21/01/2020

continued working on my design for my book - indesign to set format - need to print - text and symbol pages onto red paper and then make the 3 books - print also my 'inside'.

interior

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FINAL OUTCOME

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reflection


Self Publications project - so I listened to an archive ‘ unwrapping sex ‘ a panel discussing Madonna’s book of erotic photography sex 1993 - so my personal outage from it was generally this two sided argument- a question I made was pure or perverse? I think the general consensus was she was trying to be both and therefore it’s not real or authentic and there’s a sense of propoganda so I created a book which could open up “- on the exterior was ‘friendly’ and slyly alluring then you open it up to this sort of orgy - I wanted to make it chaotic and colourful which I would argue alludes to the mind when thinking about sexual fantasises- that feeling of being unexpected and crazy I guess.

other book design

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My self- publication project dove into the world of the archive. I listened to an ICA panel discussing Madonna’s book of erotic photography, and prose ‘Sex’ (1993). In my video I have taken photos of my feedback notes after listening to the debate. My outtake being that Madonna is exploiting her own body and fantasies in a sort of propaganda of perversion. I wanted to show the thin line between human natures: innocence, imagination, pornography and control, all of which Madonna shows in her book. However, the fact this topic is viewed as a vice in society. I chose to base my book on the opposing purity and fantasies. I created an interesting and playful way to bind my book, keeping our sexual tendencies secret, to be found by the reader. The exterior has simple prints with selected meanings against any sexual nature; such as chastity, with complimentary symbolic drawings.These all allure to, as well as the colours, to the internal erotica, which by nature, we are drawn too.